Everything is an experiment until it has a deadline. That gives it a destination, context, and a reason.
That quote was attributed to composer and musician Brian Eno, and whether you believe in the minimalist wisdom of that quote, or you only heed words of wisdom from ambient composers, then we are in full agreement with you.
The deadline for abstract submission for the International Conference on Geographical Studies (ICGS) 2026 was 16 September but we at the Philippine Geographical Society (PGS) and the UP Department of Geography are extending it to 30 September not because we are fans of Brian Eno (or music for airports) but we think your persuasive yet-to-be-written abstract will fully complement the engaged submissions we had already. Our theme – Stories, Places: Storying, Storytelling and Storymaking Worlds – hope to solicit abstracts that tell stories of various advocacies, research, pedagogies, situated practices, and geography-centered passion projects. Whether you plan to story-tell cartographic anomalies, quantitative-based narratives, immersive travelogues, geopoetics of movement, shifting toponymies, or aquapelagic phenomenologies, send these stories to us. Check out our original call for papers here:
Consider what Damien Rudd said in his book Sad Topographies: “Behind each place name there exists a story … and like a weathered signpost that points at a disused path, only the name remains, echoing a time immemorial” (2017, 12). Stories are powerful testaments of our past and current worlds, or of permanence and of transitory liminalities. In describing a city, Dionne Brand in A Map to the Door of No Return observed that “[a] city is not a place of origins. It is a place of transmigrations and transmogrifications” (2001, 62). But places can be encountered in its haptic messiness too, as Ivan Emil Labayne reflected on the incipient transmogrifications of a tiny place in his book Beckoning Baguio: “How … can we spell the ills of turning Igorot Park into a smelly Parking Lot? I think of personalization: locating ourselves in the issue and seeing it from that location and not in the more distanced way where we spout argumentations” (2024, 9). This is quite similar to an “intimate geography of vicinity” that Giuliana Bruno wrote about in Atlas of Emotion (2002).
Send us your stories of possibilism, of shifting geonarratives, of postgeographic imaginaries; yes, send them to us. While long-distance swimmer Diana Nyad tells us that life is determining one’s own finish line, make sure your finish line is congruent with our new (and final) deadline: 30 September 2026. Send them to this link: http://tinyurl.com/ICGS2026AbstractSubForm
References
Brand, Dionne (2001). A Map to the Door of No Return: Notes to Belonging, Vintage Canada.
Bruno, Giuliana (2002). Atlas of Emotion: Journeys in Art, Architecture, and Film. Verso.
Labayne, Ivan Emil (2024). Beckoning Baguio: A Decade of Walking in a City of Pines, University of Santo Tomas Publishing House.
Rudd, Damien (2017). Sad Topographies. Simon and Schuster.



