15 May 2026
Heo/Geo Lecture Series 2026-06: Patrick de Castro on the making, un-making and re-making of place
09 May 2026
POSTPONED: Heo/Geo Lecture Series 2026-06: Alyson Mabie on cities, machines and the 'future of law enforcement'
This talk is postponed due to the speaker's family emergency. We will announce the rescheduled date sometime soon. - Heo/Geo Lecture staff
"Serve the public trust, protect the innocent, uphold the law."
That is RoboCop's response when asked by Bob Morton what his prime directives are. This was in the 1987 film directed by Paul Verhoeven.
RoboCop helped cement the science fiction genre in the 1980s that delved into, among other things: dystopia, transhumanism, artificial intelligence, technology gone rogue and future glimpses of urban landscapes.
On 15 May 2026 at 5:30PM Philippine Standard Time (2:30AM Pacific Standard Time), Alyson Mabie will talk about city futurities in the age of technology using the figure of RoboCop as case study. Titled ‘RoboCop Protects Delta City’: Yesterday’s Urban Dystopic Sci-fi Cinema and the Technofascist Capture of Tomorrow, this online talk is mounted by the UP Department of Geography and the Philippine Geographical Society (PGS) through the Heo/Geo Lecture Series.
While a fair number of people think they know science fiction, the science fiction (SF) genre is one of cognitive estrangement allowing the audience to imagine a plausible yet strange “newness” within the familiar that occurs in the subjunctive tense of “events that have not happened” (Suvin, 1972; Delany 2009). This speculative invitation enables us to imagine radical change and otherwise futures. However, SF has also been a medium of white supremacist and fascist worldbuilding. The 1970s-90s were a golden age for urban dystopic sci-fi action films in the US, often presenting a bleak future where privatization and carceral state control have melded into an urban hellscape maintained by robotic and automatized systems, and inescapable surveillance technologies. While the heroes of these films pop the ideological balloon and expose the corrupt inner logics, many aspects of the films’ technofascist urban futures are present in our lives today.
This presentation analyzes the cinematic representation of the future city in the film universe of RoboCop as it intersects with present day technocapitalist narratives of products as ‘science fiction made real,’ framing carceral and automated technologies in urban and state governance as ‘the future’ precluding all others. With the tagline, “The Future of Law Enforcement, ” Paul Verhoeven’s 1987 cult classic, RoboCop, is set in a near future ‘Old Detroit’ where the city has privatized its social services, including its police force, under a single conglomerate. As labor strikes loom, corporate VPs race to produce a law enforcement solution that doesn’t eat or sleep. Enter Robocop, a highly militarized, robotic police officer programmed to detect and eliminate crime. Robocop is the key feature of the “urban pacification” program that paves the way for construction of Delta City, the CEO’s sleek, controlled urban utopia built on the ashes of Old Detroit.
Alyson Mabie is a PhD student in the Geography Department at the University of Washington. Her current work approaches issues of science, technology, and society (STS) through a feminist relational lens. She likes to think about the entanglements of fictional worldbuilding, futurity, visual media and narratives of urban futures in digital spaces such as video games, social media comment sections, and metaverses.
The Heo/Geo Lecture Series which is co-sponsored by PGS and the UP Department of Geography continues to challenge conventional notions as to what geography as an intellectual field of inquiry is all about and what range of topics traverses the discipline's multiverse (pun intended). The Heo/Geo Lecture Series was borne out of the need to energize and enrich academic geographers and geography-adjacent scholars' need for exciting intellectual mashups that fuse geographical ideas and provocations with new-ish methodologies and field-based practices. This current Heo/Geo Lecture Series is facilitated by the Media, Literary Geographies, and Geohumanities (MELANGE) research cluster of the UP Department of Geography and is in line with the SDG #4 (Quality Education) of the United Nations.
To participate in the event, click this link to register. You can also click this link: https://bit.ly/3QPv1dj
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References:
Suvin, Darko (1972). On the poetics of the science fiction genre. College English, 34(3), 372-382.
20 April 2026
Heo/Geo Lecture Series 2026-05: Kevin Fox on geographic inquiries initiated by the Geographical Imaginations Expedition & Institute
When Derek Gregory published Geographical Imaginations in 1994, the book puts emphasis on relational understanding of individual worlds as intertwined with global-universalisms. Gregory was not the first one to discuss permutations of imagination in relation to geography. Hugh Prince, David Harvey, Yi-Fu Tuan, Katherine McKittrick and Jen Jack Gieseking added different interpretations, case studies, and situated ecologies to expand the scope and reach of geographical imaginations.
It is perhaps in this spiritual vein that Kevin Fox's version of geographical imagination as formalized by founding The Geographical Imaginations Expedition & Institute (The GIEI), stems from pluralizing the concept (like Gregory) and providing multi-scalar and multi-cultural examples of meaning-making that situate individuals and collectives in space and place.
For the fifth Heo/Geo Lecture Series for 2026, the Department of Geography (DGeog) of the University of the Philippines-Diliman together with the Philippine Geographical Society (PGS) proudly present a talk: Inner Geographies: Imagination, Experience, and Global Citizenship by Kevin Fox on Friday, 24 April 2026. To be delivered via Zoom, the talk starts at 5:30PM-Philippine Standard Time (11:30AM CET).
The talk introduces the work of The Geographical Imaginations Expedition & Institute (The GIEI), a non-profit initiative working across three interconnected geographical dimensions: the global, the local, and the inner. The GIEI translates key ideas from human geography into accessible and participatory forms, expanding popular understandings of geography to include the internal dimensions of perception, imagination, and meaning-making that shape how individuals locate themselves within an interconnected planet.
The name draws inspiration from the Detroit Geographical Expedition & Institute (1968–1971), an experiment in local, community-based geography that sought to democratize knowledge production and center marginalized perspectives. Building on this legacy, The GIEI extends geographic inquiry inward, treating the inner world as a legitimate site of exploration. From this foundation, it develops participatory approaches to global citizenship education through interconnected practices including research, storytelling, simulation, advocacy, and lexicon-building.
Central to this work is The World as a Village of 100 People, a civic-assembly simulation that translates global inequalities into lived, dialogic experience. The process unfolds across three phases—orientation, imagination, and transformation—guiding participants from understanding global systems, to inhabiting diverse perspectives, to collectively envisioning alternative futures.
Moving from The GIEI’s earlier work in visual and audio storytelling toward a broader institutional vision (The GIEI 2.0), the talk reflects on the shift from project-based initiatives to the design of scalable frameworks for global citizenship learning.

